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– Rename the submix track by double-clicking on the name – something like “Drum Submix” would be good. This won’t affect how it works, but it’s a good idea to keep things visually organized. – At the top of the window, select Track>Insert Track>SubMix Track. If the new submix track isn’t already there, grab it and move it above the kick drum track. Submix bus channels are also super handy when you have tons of layered backing vocals, but we’ll cover that in a future entry. Not only does this make things look pretty and organized in the track view window, it also lets you control (and automate) the volume of the entire drum mix with a single fader, and better still, it lets us run the whole kit through a single compressor or any other effect. – I then grouped all five channels using a “Submix Track”. Name them “kick”, “snare”, “tom”, “hats”, and “cymbals” (or “Bob” and “Larry” and “Xavier” if you really want). – Rename the five drum tracks by simply double-clicking on their names. – Make four duplicates of the Acoustica Studio Drums track by clicking on the track, then selecting Track>Duplicate Track from the top menu (alternatively you can insert, delete, or duplicate tracks by right-clicking). Now click the red X in the upper-right corner to close the instrument selection window. Select “VSTi Instruments”, then “Acoustica Studio Drums”. – Create a new virtual instrument track from the Track menu by clicking Track>Insert Track>Virtual Instrument Track, then click the keyboard icon on the track. BTW, if you downloaded my Mixcraft song file, you’ll notice I left the “Beat 1″ drum loop in the final song with the mute button on – just click the mute button to hear it.Īfter composing most of the music with the simple loop, I used five instances of Acoustica’s Studio Drums instrument on individual virtual instrument tracks to replicate working with a real drum kit. This offers tremendous flexibility to compress, EQ and reverb individual instruments, just like a real, live drum kit (the best example is that you frequently want a huge reverb on snare drums, but that same reverb usually sounds awful on a kick drum).
Using programmed single-hit MIDIed drums samples, we can split the individual instruments across separate audio channels. And if you like mixing drums as you would a traditional multi-miked drum kit, you’re out of luck because all the components are typically combined into one stereo audio file.
Drum fills and rolls aren’t that easy to create with a fixed loop (though some collections include variations including fills). Why not just use the loop for the “real” beat? Loops sound great, but they’re not always ideal for a “traditional” drums/bass/guitar-style rock song, for a couple of reasons. Though Mixcraft makes creating music with loops material super easy, in this case I just used the drum loop as a temporary backdrop. This is handy if you only like part of a drum beat within a loop, for example (I recommend setting the “Snap” pop-up at the top of the window to a musically relevant value to ensure that the loop start and end points end up on bar or beat lines). – one nifty aspect of loops is that it’s easy to manipulate their length by simply grabbing the left or right edge and moving them, thereby “closing up” the window of sound that plays. If you drag and drop, just remember that these loops and sound effects are audio, so they must be dragged to an audio track (audio tracks have a speaker icon).
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– to add a loop to the Track View window, you can either click the blue plus sign in the library window, or drag and drop a loop to the appropriate track in the Track View window. If you want to find the beat I used, you could type something like “Beat 1 Dj Puzzle”. You can also enter search terms in the “Search” box. To narrow down the selections displayed, click the “Library” and “Sort By” pop-up menus. You can preview loops (or sound effects) by clicking the green triangle. – click the “Library” tab at the bottom left in Mixcraft. Its native tempo was 115 BPM, but dragging it into my song automatically locked it to my speedy 150 BPM tempo. I used the colorfully named “Beat 1″ from the Dark Rock song kit, created by Dj Puzzle.
It’s a sort of post-punk Joy Division/Editors/Interpol-ish affair that began while improvising some guitar riffs over one of Mixcraft’s included rock drum loops.
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Be aware some plugs may be disabled depending upon which Mixcraft version you’re using ( I used the top-of-the-line Mixcraft Pro Studio 6 edition because I’m special).
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I’m going to go through its individual parts in the next couple of blog entries, and you can download the entire Mixcraft 6 file below to see exactly how I constructed it. We’ll assume you’ve already clicked that handsome MP3 player above and are listening. Hey all! Thought I’d break down a new tune I’ve been working on with Mixcraft 6 called “Intermission”.